Daniel James Brown’s robust book tells the story of the University of Washington’s 1936 eight-oar crew and their epic quest for an Olympic gold medal, a team that transformed the sport and grabbed the attention of millions of Americans. The sons of loggers, shipyard workers, and farmers, the boys defeated elite rivals first from eastern and British universities and finally the German crew rowing for Adolf Hitler in the Olympic games in Berlin, 1936.
The emotional heart of the story lies with one rower, Joe Rantz, a teenager without family or prospects, who rows not for glory, but to regain his shattered self-regard and to find a place he can call home. The crew is assembled by an enigmatic coach and mentored by a visionary, eccentric British boat builder, but it is their trust in each other that makes them a victorious team. They remind the country of what can be done when everyone quite literally pulls together—a perfect melding of commitment, determination, and optimism.
Drawing on the boys’ own diaries and journals, their photos and memories of a once-in-a-lifetime shared dream, The Boys in the Boat is an irresistible story about beating the odds and finding hope in the most desperate of times—the improbable, intimate story of nine working-class boys from the American west who, in the depths of the Great Depression, showed the world what true grit really meant. It will appeal to readers of Erik Larson, Timothy Egan, James Bradley, and David Halberstam’s The Amateurs.
Forrest Carter, from the age of four or five, was inseparable from his part-Cherokee grandfather, who owned a farm and ran a country store nearby. Granpa called him Little Sprout; when he grew taller, he became Little Tree. From Granpa he absorbed the Cherokee ethic; to give love without expecting gratitude, to take from the land only what you need. Little Tree watches a mountain storm when Nature is birthing Spring, learns bird signs and wind songs and which crops to plant by the dark of the moon. He hears the true story of the Cherokee Trail of Tears, and why it is not the Indian who wept, but the watching white man. From a Jewish peddler who came every season to Granpa’s store he learns a lesson in charity; from a sharecropper he learns to understand misplaced pride. He escapes death through Granpa’s courage and confronts, for the first time, the hypocrisy and brutality of white Americans.Much of the lore passed from generation to generation by word of mouth is found in these stories in “The Education of Little Tree,” autobiographical if not all factually accurate. For instance, Granma is based on family memories of Carter’s great-great-great grandmother (Granpa’s great-grandmother), who was a full Cherokee, combined with the author’s own mother, who read Shakespeare to him when he was a child. But Granpa is all and forever true in this storyteller’s memoir of a time that ended when Little Tree was ten and Granpa died. 
Cassie Logan and her brothers have been warned never to go to the Wallace store, so they know to expect trouble there. What they don t expect is to hear Mr. Tom Bee, an elderly black man, daring to call the white storekeeper by his first name. The year is 1933, the place is Mississippi, and any child knows that some things just aren t done.
For Paul Hoffmann, a Jewish student at the University of Berlin, life would be sweet if he could write poetry and, of course, graduate. But since the year is 1933, his life is about to take a very different turn — one that leads him back to Elizabethan England, where his idol, William Shakespeare, is having a crisis of his own. Shakespeare’s theatre company expects him to write an anti-Jewish play that will incite the public against Dr. Rodrigo Lopez, a crypto-Jew accused of planning to poison Queen Elizabeth. But there is a problem: Shakespeare knows that Lopez is innocent.
A .38, a nip of gin and sensational legs get Depression-era private investigator Maggie Sullivan out of most scrapes – until a stranger threatens to bust her nose, she’s hauled in on suspicion of his murder and she finds herself in the cross-hairs of a crime boss with connections at City Hall. 
Finnian bears the scar of an unspeakable crime.
Depression-era private investigator Maggie Sullivan risks losing her P.I. license — and her life — when two spinsters hire her to learn the fate of their father, who vanished twenty-six years earlier. She’s barely started when her main suspect commits suicide and Maggie is summoned before the powerful chief of police. A stroke of his pen will revoke her license, and he warns her he’s getting complaints about her from City Hall. 
In October 1935, Edward Jamieson’s memories of war and a passionate love affair resurface when an invitation to a WWI memorial ceremony arrives. Though reluctant to visit the scenes of horror he has spent years trying to forget, Edward succumbs to the unlikely possibility of discovering what happened to Helene Noisette, the woman he once pledged to marry. Travelling through the French countryside with his wife Ann, Edward sees nothing but reminders of war. After a chance encounter with Helene at the dedication ceremony, Edward’s past puts his present life in jeopardy.
In the darkest of times, good intentions go awry. One mistake can ruin a life. One mistake can transform it. 
When Depression-era private eye Maggie Sullivan is invited to dine with a millionaire, she doesn’t expect the first course to be a gun in her face. It draws her into a gold-plated web of theft, revenge, double crosses and murder.
