Traveled around Italy with my family’s theatre troupe.
Performed in a theatre outside. (I was a monkey, a panda, and a lion!)
Ate spaghetti withttp://amzn.to/2h0tifKh fried egg on top.
Slept in a truck.
Wove cowboy boots.
Ciao! (I spoke Italian.)
Kept a journal to remember everything that happened.
But Michelangelo persevered. His early sculptures caught the attention of Florence’s great ruler, Lorenzo de’ Medici, who invited the boy to be educated with his own sons. Soon after, Michelangelo was astonishing people with the lifelike creations he wrested from marble–from the heartbreaking Pieta he sculpted when he was only twenty-five to the majestic David that brought him acclaim as the greatest sculptor in Italy.
Michelangelo had a turbulent, quarrelsome life. He was obsessed with perfection and felt that everyone–from family members to his demanding patrons–took advantage and let him down. His long and difficult association with Pope Julius II yielded his greatest masterpiece, the radiant paintings in the Sistine Chapel, and his most disastrous undertaking, the monumental tomb that caused the artist frustration and heartache for forty years.
With her thoroughly researched, lively narrative and superbly detailed illustrations, Diane Stanley has captured the life of an artist who towered above the late Renaissance–and whose brilliance in architecture, painting, and sculpture amazes and moves us to this day.
Children’s Books 2000-NY Public Lib., Books for Youth Editor’s Choice 2000 (Booklist), Lasting Connections 2000 (Book Links), Best Books 2000 (School Library Journal), Top 10 Youth Art Books 2000 (Booklist), and Notable Children’s Trade Books in the Field of Social Studies 2001, National Council for SS & Child. Book Council
The hunt for the person who wears the mask of Palantinus carries Tito and Augustus “”Gussie”” Rumbolt, an Englishman making his Grand Tour, into the treacherous depths of the city dedicated to masquerade and pleasure and reveals many facets of its multiple religious faiths.
From two neighboring villas in the heart of the Tuscan countryside to the elegance of Siena; from a world steeped in ancient superstitions to a culture where family honor is paramount comes this multi-layered novel of the lives, loves, secrets and strivings of two women and their families in the 13th century.
Felicia Ventura is an unpretentious woman, alone in the world, who is happily married to Enrico. She dreams of a simple future raising a family, but her hopes are shattered because of a curse and the casting of the evil eye by her envious neighbor, a Sicilian beauty named Prudenza.
Prudenza is worldly and materialistic and her envy of Felicia knows no bounds. She casts the evil eye on her adversary. When Felicia gives birth to twin sons, Prudenza revives an ancient superstition and spreads a rumor that Felicia’s twins were fathered by different men. Soon, Prudenza gives birth to her own twins – daughters. Desperate to save face, Prudenza rids herself of one infant, keeping the child’s existence secret. But as the years go by, the truth has a way of making itself known. Soon Prudenza’s deception will lead to the unraveling of everything she values in life.
Orphan of the Olive Tree is an unforgettable novel about wicked intentions, superstition, undisclosed secrets, unstoppable destinies; and two generations of women and the extraordinary event that will vindicate or destroy them.
Venice, 1731. Opera is the popular entertainment of the day and the castrati are its reigning divas. Tito Amato, mutilated as a boy to preserve his enchanting soprano voice, returns to the city of his birth with his friend Felice, a castrato whose voice has failed.
Disaster strikes Tito’s opera premier when the singer loses one beloved friend to poison and another to unjust accusation and arrest. Alarmed that the merchant-aristocrat who owns the theater is pressing the authorities to close the case, Tito races the executioner to find the real killer. The possible suspects could people the cast of one of his operas: a libertine nobleman and his spurned wife, a jealous soprano, an ambitious composer, and a patrician family bent on the theater’s ruin.
With carnival gaiety swirling around him and rousing Venetian passions to an ominous crescendo, Tito finds that the most astonishing secrets lurk behind the masks of his own family and friends.
