It’s 1925 and Mark Purvis is a 16-yr-old with a summer to kill. He’d rather jam with his jazz band (they need the practice), but is urged by his parents to get a job. As an assistant at The Crisis, a magazine for the “new Negro,” Mark rubs shoulders with Langston Hughes and Countee Cullen. He’s invited to a party at Alfred Knopf’s place. He’s making money, but not enough, and when piano player Fats Waller entices him and his buddies to make some fast cash, Mark finds himself crossing the gangster Dutch Schultz.
A swinging, vibrant picture book about the jazz composer Duke Ellington, by the award-winning duo Andrea and Brian Pinkney.
Jack and Annie are on their second mission to find—and inspire—artists to bring happiness to millions. After traveling to New Orleans, Jack and Annie come head to head with some real ghosts, as well as discover the world of jazz when they meet a young Louis Armstrong!
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In 1922, F. Scott Fitzgerald announced his decision to write “something new–something extraordinary and beautiful and simple and intricately patterned.” That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald’s finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author’s generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald’s–and his country’s–most abiding obsessions: money, ambition, greed, and the promise of new beginnings. “Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that’s no matter–tomorrow we will run faster, stretch out our arms farther…. And one fine morning–” Gatsby’s rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.
– Award-winning author
Louis Armstrong. “Satchmo.” To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times–not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against the backdrop of New Orleans, Chicago, and New York during the “jazz age”, Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong’s rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellow musicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong’s endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom. A unique biography, knowledgeable, insightful, and packed with information, it ends with Armstrong’s death in 1971 as one of the best-known figures in American entertainment.
“Collier tells the full story of Edward Kennedy Ellington from his childhood as the pampered and adored only son of a middle-class Washington black family to his death in 1974 when over ten thousand people mourned at his funeral and The New York Times obituary proclaimed him “America’s greatest composer.” The volume features such highlights as the formation of Ellington’s band, his arrival at the legendary Cotton Club in Harlem in the 1920s; his involvement with his manager Irving Mills, who manipulated and cheated him and even put his own name on some of Ellington’s songs, but also made him famous; and his relationship with his family, including his troubled relationship with his son, his marriage, and his many affairs. This compelling biography will enthrall jazz buffs as well as anyone interested in a fascinating life and times.
Playing the cornet is the first thing that twelve-year-old Paulie Horvath has taken seriously, but his obsession with becoming a jazz musician leads him into conflict with his parents and into the tough underworld of Chicago in the 1920s.
