A child, the heir to the fortune of a wealthy Indian Army officer, disappears. The general has died leaving a will in favor of the child, but, in the case of the child’s death, of the rogue, Sanderson who poses as John Simcoe. At length, after many intrigues and adventures, Sanderson is exposed as the murderer of the General and forger of his Will, and the child is found.
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The last thing Charles ever wanted to be was a hangman. But he’s the eldest son of Paris’s most dreaded public official, and in the 1750s, after centuries of superstition, people like him are outcasts. He knows that the executioner’s son must become an executioner himself or starve, for all doors are closed to him; although he loathes the role and would much rather study medicine, society’s fears and prejudices will never let him be anything else. And when disaster strikes, family duty demands that Charles take his father’s place much sooner than he had ever imagined.
Miles outside Paris, high-spirited François de La Barre is the carefree teenager who Charles would like to have been, instead of the somber public servant, bound by the Sansons’ motto of duty and honor, who carries out brutal justice in the king’s name. François proves, though, in the elegant, treacherous world of prerevolutionary France, to have a dangerous gift for making enemies . . . and when at last their paths converge, in this true story of destiny and conflicting loyalties, Charles must make a horrifying choice.
“Alleyn’s exhaustive research pays off handsomely in well-drawn characters and colorful historical context. … A well-researched, robust tale featuring an endearing executioner.” (Kirkus Reviews)
“Charles’s personal crisis and clashing loyalties evoke Greek tragedy, and speak to the issues that will resonate with readers.” (Publishers Weekly, starred review)
A young girl with a hidden heritage, Esperanza Peralta, forges a new identity as Butayna and becomes the mother of Yusuf’s firstborn son. The Jewess Miriam Alubel takes the name Maryam and also bears Yusuf several children, including two sons.
The clash between former friends is inevitable, as each finds diverging paths in a dizzying rise to power beside their husband. Both remain aware of the struggle ahead of them, for only one heir may inherit Yusuf’s throne and only one woman can claim the revered title of Mother of the Sultan.
Desperate, she begs the gods for courage to become a mother. They give her more than courage: she is granted a vision of a shining prince, her son – a gift for Egypt who will bring glory to the land. He will be more than the son of a king. He will be the son of the god Amun.
But when the child arrives, it’s a girl.
Ahmose knows the vision was not wrong. Her daughter Hatshepsut has a male soul, and Amun intends the girl to rule. But the Pharaoh will not scandalize Egypt by proclaiming a female successor. If she cannot convince the Pharaoh to accept Hatshepsut as his heir, everything Ahmose loves will be destroyed. ~Stephanie Dray, author of the critically acclaimed Lily of the Nile
Nothing drove Henry VIII, England’s wealthiest and most powerful king, more than producing a legitimate male heir and so perpetuating his dynasty. To that end, he married six wives, became the subject of the most notorious divorce case of the sixteenth century, and broke with the pope, all in an age of international competition and warfare, social unrest and growing religious intolerance and discord.
Henry fathered four living children, each by a different mother. Their interrelationships were often scarred by jealously, mutual distrust, sibling rivalry, even hatred. Possessed of quick wits and strong wills, their characters were defined partly by the educations they received, and partly by events over which they had no control.
Henry Fitzroy, Duke of Richmond, although recognized as the king’s son, could never forget his illegitimacy. Edward died while still in his teens, desperately plotting to exclude his half-sisters from the throne. Mary’s world was shattered by her mother’s divorce and her own unhappy marriage. Elizabeth was the most successful, but also the luckiest. Even so, she lived with the knowledge that her father had ordered her mother’s execution, was often in fear of her own life, and could never marry the one man she truly loved.
Henry’s children idolized their father, even if they differed radically over how to perpetuate his legacy. To tell their stories, John Guy returns to the archives, drawing on a vast array of contemporary records, personal letters, and first-hand accounts.
For Jane Dudley, basking in the affection of her large family, the coming of a new king means another step upward for her ambitious, able husband, John. For Frances Grey, increasingly alienated from her husband and her brilliant but arrogant daughter Lady Jane, it means that she—and the Lady Jane—are one step closer to the throne of England.
Then the young king falls deathly ill. Determined to keep England under Protestant rule, he concocts an audacious scheme that subverts his own father’s will. Suddenly, Jane Dudley and Frances Grey are reluctantly bound together in a common cause—one that will test their loyalties, their strength, and their faith, and that will change their lives beyond measure.
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